'Largo al factotum' from Gioachino Rossini's Il barbiere di Siviglia: A Study in Ornamentation and Performance Practice
- 'Largo al factotum' (Make way for the factotum) is an aria from The Barber of Seville by Gioachino Rossini, sung at the first entrance of the title character; the repeated 'Figaro's before the final patter section are an icon in popular culture of operatic singing. The term 'facto.
- Rossini: Largo al Factotum, abridged: Piano sheet music. Sheet Music by Gioacchino Antonio Rossini. Largo al Factotum, abridged: Piano.
- 'Largo al factotum' (Make way for the factotum) is an aria from The Barber of Seville by Gioachino Rossini, sung at the first entrance of the title character; the repeated 'Figaro's before the final patter section are an icon in popular culture of operatic singing.
- Browse: Rossini - Largo al factotum (from Il barbiere di Siviglia) This page lists all sheet music of Largo al factotum (from Il barbiere di Siviglia) by Gioacchino Antonio Rossini (1792-1868). Showing 21 - 27 of 27 results.
From the time it was written, the aria 'Largo al factotum' from Rossini's Il barbiere di Siviglia has been performed and ornamented in many different ways. The present study is an inventory and analysis of ornaments sung in 33 recordings from 1900 to 2011 and the major differences that they exhibit one from another.
Abstract | From the time it was written, the aria 'Largo al factotum' from Rossini's Il barbiere di Siviglia has been performed and ornamented in many different ways. The present study is an inventory and analysis of ornaments sung in 33 recordings from 1900 to 2011 and the major differences that they exhibit one from another. The singers in this study are baritones with international careers, who have performed the role of Figaro either at the Metropolitan Opera (New York) or at La Scala (Milan). The study identifies and tracks some of the changes in the ornamentation of the aria by noting common traits and new approaches across the one hundred eleven years of practice illustrated by the recordings. |
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Created Date | 2014 |
Contributor | Briggs, Andrew Nathan (Author) / Mills, Robert (Advisor) / Oldani, Robert (Advisor) / Mills, Robert (Committee member) / Oldani, Robert (Committee member) / Dreyfoos, Dale (Committee member) / Fitzpatrick, Carole (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher) |
Subject | Music / Performing arts / bel canto / largo al factotum / Ornamentation / ornaments / Performance Practice / The Barber of Seville |
Type | Doctoral Dissertation |
Extent | 51 pages |
Language | English |
Copyright | |
Reuse Permissions | All Rights Reserved |
Note | D.M.A. Music 2014 |
Collaborating Institutions | Graduate College / ASU Library |
Additional Formats | MODS / OAI Dublin Core / RIS |
Full Text
291.6 KBapplication/pdf
Download Count: 10683
291.6 KBapplication/pdf
Download Count: 10683
Description | Dissertation/Thesis |
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DissertSpreadsheet.xls
48.0 KBapplication/vnd.ms-excel
Download Count: 331
48.0 KBapplication/vnd.ms-excel
Download Count: 331
Description | A Spreadsheet of the Artists and Ornaments Analyzed in Largo al factotum |
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March6RecitalPPT.pptx
1.4 MBapplication/zip
Download Count: 524
1.4 MBapplication/zip
Download Count: 524
Description | March 6 2014 Andrew Briggs Lecture Recital Presentation |
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